| You can find pictures anywhere. It's simply a | ...words and pictures can work together to |
| matter of noticing things and organizing them. | communicate more powerfully than either |
| You just have to care about what's around you | alone. -William Albert Allard |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| You learn to see by practice. It's just like | as the event. During the work, you have to be |
| playing tennis, you get better the more you | sure that you haven't left any holes, that you've |
| play. The more you look around at things, the | captured everything, because afterwards it will |
| more you see. The more you photograph, the | be too late. - Henri Cartier Bresson |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Las Vegas |
Alexandria |
Lexington |
Phoenix |
Conroe |
Lawrenceville |
Poughkeepsie |
Fair Lawn |
Moreno Valley |
Alton |
Coshocton |
Cleveland |
Denville |
Palatine |
Wenatchee |
Selma |
Shenandoah |
Sturgis |
Cranberry Township |
Waco |
Lynchburg |
Seekonk |
Hartford |
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| Photography takes an instant out of time, | A mad, keen photographer needs to get out |
| altering life by holding it still. - Dorothea | into the world and work and make mistakes. |
| Lange | - Sam Abell |
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| "Simply look with perceptive eyes at the | I almost never set out to photograph a |
| world about you, and trust to your own | landscape, nor do I think of my camera as a |
| reactions and convictions. Ask yourself: | means of recording a mountain or an animal |
| "Does this subject move me to feel, think | unless I absolutely need a 'record shot'. My |
| and dream? Can I visualize a print - my own | first thought is always of light. - Galen |
| personal statement of what I feel and want to | Rowell |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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