| My own eyes are no more than scouts on a | You learn to see by practice. It's just like |
| preliminary search, for the camera's eye may | playing tennis, you get better the more you |
| entirely change my idea. - Edward | play. The more you look around at things, the |
| Weston | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| A mad, keen photographer needs to get out | and what can't be photographed. You just have |
| into the world and work and make mistakes. | to keep doing it. - Eliot Porter |
| - Sam Abell | |
| | A room hung with pictures is a room hung with |
| Photography suits the temper of this ageof | thoughts. - Sir Joshua Reynolds |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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New York |
Indianapolis |
Oklahoma City |
Colorado Springs |
Charlotte |
Canton |
Sarasota |
Ormond Beach |
Mystic |
Idaho Falls |
Hollywood |
Del Mar |
Evanston |
Cherry Hill |
Salinas |
York |
Sherman |
Lahaina |
Quincy |
Goodland |
Creve Coeur |
Clemson |
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| [Photography] is a way of feeling, of touching, | Photography is a major force in explaining |
| of loving. What you have caught on film is | man to man. - Edward Steichen |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Photography records the gamut of feelings |
| - Aaron Siskind | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| Above all, it's hard learning to live with vivid | wealth and confusion man has created. |
| mental images of scenes I cared for and failed | - Edward Steichen |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | Memory is very important, the memory of |
| assurance that the best photographs are yet to | each photo taken, flowing at the same speed |
| be made. - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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