| Photography is a major force in explaining | A mad, keen photographer needs to get out |
| man to man. - Edward Steichen | into the world and work and make mistakes. |
| | - Sam Abell |
| Pictures you have taken have an influence on | |
| those that you are going to make. | One should really use the camera as though |
| That's life! - John Sexton | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography is about finding out what can | |
| happen in the frame. When you put four | My own eyes are no more than scouts on a |
| edges around some facts, you change those | preliminary search, for the camera's eye may |
| facts. - Gary Winogrand | entirely change my idea. - Edward |
| | Weston |
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New York |
Long Beach |
Milwaukee |
Kansas City |
Jackson |
Birmingham |
Fort Wayne |
Los Angeles |
Memphis |
Costa Mesa |
Pensacola |
Kennett |
Brainerd |
Salem |
Cerritos |
Indio |
St. Marys |
Lake Placid |
Victorville |
Yreka |
Cypress |
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| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
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| There is nothing worse than a sharp image of | No place is boring, if you've had a good |
| a fuzzy concept. - Ansel Adams | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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