| The virtue of the camera is not the power it | A picture is the expression of an impression. If |
| has to transform the photographer into an | the beautiful were not in us, how would we |
| artist, but the impulse it gives him to keep on | ever recognize it? - Ernst Haas |
| looking. - Brooks Anderson | |
| | You learn to see by practice. It's just like |
| A mad, keen photographer needs to get out | playing tennis, you get better the more you |
| into the world and work and make mistakes. | play. The more you look around at things, the |
| - Sam Abell | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| One should really use the camera as though | and what can't be photographed. You just have |
| tomorrow you'd be stricken blind. | to keep doing it. - Eliot Porter |
| - Dorothea Lange | |
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| You've got to push yourself harder. You've got | Photography takes an instant out of time, |
| to start looking for pictures nobody else could | altering life by holding it still. - Dorothea |
| take. You've got to take the tools you have and | Lange |
| probe deeper. - William Albert Allard | |
| | Photography is my passion. - Alfred |
| Memory is very important, the memory of | Stieglitz |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | Now to consult the rules of composition before |
| sure that you haven't left any holes, that you've | making a picture is a little like consulting the |
| captured everything, because afterwards it will | law of gravitation before going for a walk. |
| be too late. - Henri Cartier Bresson | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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