| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography takes an instant out of time, | something. It's difficult. So often color gets |
| altering life by holding it still. - Dorothea | caught up in color, and it becomes merely |
| Lange | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| "Simply look with perceptive eyes at the | color and content; otherwise it is empty. |
| world about you, and trust to your own | - Mary Ellen Mark |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|
|
Baltimore |
Austin |
San Jose |
Madison |
Silver Spring |
Bellingham |
Scottsdale |
Tulsa |
Buena Park |
Milwaukee |
Louisville |
Driggs |
Parsons |
Kinston |
Oklahoma City |
Ainsworth |
Bunkie |
North Plainfield |
Defiance |
Hazleton |
Columbia |
Bedford |
Moriarty |
Dunedin |
Glen Cove |
Wayne |
Rocky Mount |
|
|
| A great photograph is one that fully expresses | Memory is very important, the memory of |
| what one feels, in the deepest sense, about | each photo taken, flowing at the same speed |
| what is being photographed. - Ansel | as the event. During the work, you have to be |
| Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| A good picture is equivalent to a good deed. | be too late. - Henri Cartier Bresson |
| - Vincent Van Gogh | |
| | Photography knows how to authenticate its |
| A picture is the expression of an impression. If | misrepresentations. - Mason Cooley |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
|