| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A room hung with pictures is a room hung with | long after you have forgotten everything. |
| thoughts. - Sir Joshua Reynolds | - Aaron Siskind |
| | |
| A picture is the expression of an impression. If | "Simply look with perceptive eyes at the |
| the beautiful were not in us, how would we | world about you, and trust to your own |
| ever recognize it? - Ernst Haas | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Brooklyn |
Staten Island |
Boca Raton |
Albuquerque |
Rockford |
Fresno |
Evansville |
Malden |
Harrisonburg |
Orlando |
Quincy |
Lakewood |
Honolulu |
Mansfield |
Palm Beach Gardens |
Niles |
El Reno |
Bothell |
High Point |
Midwest City |
Selma |
Hartwell |
Falls Church |
Greenville |
Suwanee |
Braintree |
Carlinville |
Gardendale |
Princeton |
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| Photography is a major force in explaining | A mad, keen photographer needs to get out |
| man to man. - Edward Steichen | into the world and work and make mistakes. |
| | - Sam Abell |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Photography suits the temper of this ageof |
| earth and skies that man has inherited and the | active bodies and minds. It is a perfect |
| wealth and confusion man has created. | medium for one whose mind is teeming with |
| - Edward Steichen | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| I think you have to have a real point of view | sculpting, for one who sees quickly and acts |
| that's your own. You have to tell it your way. | decisively, accurately. - Edward Weston |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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