| "Simply look with perceptive eyes at the | The virtue of the camera is not the power it |
| world about you, and trust to your own | has to transform the photographer into an |
| reactions and convictions. Ask yourself: | artist, but the impulse it gives him to keep on |
| "Does this subject move me to feel, think | looking. - Brooks Anderson |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | The camera makes everyone a tourist in other |
| convey - from the subject before me?" | people's reality. - Susan Sontag |
| - Ansel Adams | |
| | My own eyes are no more than scouts on a |
| There is nothing worse than a sharp image of | preliminary search, for the camera's eye may |
| a fuzzy concept. - Ansel Adams | entirely change my idea. - Edward |
| | Weston |
|
|
Denver |
Chicago |
Nashville |
Little Rock |
Valdosta |
Gainesville |
Johnstown |
Durham |
Kokomo |
Minneapolis |
Fountain Valley |
Alameda |
Clifton Park |
Warrensburg |
Watertown |
Lexington |
Oklahoma City |
Yonkers |
Elmira |
Broken Arrow |
Grain Valley |
Freehold |
Mansfield |
Dumfries |
Los Alamitos |
Titusville |
Junction |
Kimball Township |
Palm Springs |
Coupeville |
|
|
| You can find pictures anywhere. It's simply a | Photography knows how to authenticate its |
| matter of noticing things and organizing them. | misrepresentations. - Mason Cooley |
| You just have to care about what's around you | |
| and have a concern with humanity and the | I think you have to have a real point of view |
| human comedy. - Elliott Erwitt | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| Sometimes you can tell a large story with a | specific magazine's point of view because it's |
| tiny subject. - Eliot Porter | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| A room hung with pictures is a room hung with | believe it. - Mary Ellen Mark |
| thoughts. - Sir Joshua Reynolds | |
|