| A mad, keen photographer needs to get out | I think you have to have a real point of view |
| into the world and work and make mistakes. | that's your own. You have to tell it your way. |
| - Sam Abell | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| One should really use the camera as though | never going to be as good. You have to shoot |
| tomorrow you'd be stricken blind. | for yourself and photograph [the way] you |
| - Dorothea Lange | believe it. - Mary Ellen Mark |
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| My own eyes are no more than scouts on a | Memory is very important, the memory of |
| preliminary search, for the camera's eye may | each photo taken, flowing at the same speed |
| entirely change my idea. - Edward | as the event. During the work, you have to be |
| Weston | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Seattle |
Baltimore |
Modesto |
Orlando |
Longview |
Clarksville |
Tempe |
Rochester |
Auburn |
Santa Monica |
Walterboro |
Pittsfield |
Paintsville |
Turlock |
Lexington |
Franklin |
Durham |
Birmingham |
Reston |
Ocean City |
Arkadelphia |
Vernal |
Mount Kisco |
Franklin |
East Ridge |
Ft Payne |
Huron |
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| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A room hung with pictures is a room hung with |
| personal statement of what I feel and want to | thoughts. - Sir Joshua Reynolds |
| convey - from the subject before me?" | |
| - Ansel Adams | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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