| You learn to see by practice. It's just like | One should really use the camera as though |
| playing tennis, you get better the more you | tomorrow you'd be stricken blind. |
| play. The more you look around at things, the | - Dorothea Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | The virtue of the camera is not the power it |
| and what can't be photographed. You just have | has to transform the photographer into an |
| to keep doing it. - Eliot Porter | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| A room hung with pictures is a room hung with | |
| thoughts. - Sir Joshua Reynolds | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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Houston |
Washington |
San Francisco |
Los Angeles |
Memphis |
Philadelphia |
Eugene |
Valdosta |
La Mesa |
Philadelphia |
Ottawa |
Avon Park |
Brockport |
Lihue |
Sylacauga |
Alvin |
Brunswick |
Lake Forest |
Havre De Grace |
Port Clinton |
Lander |
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| Photography records the gamut of feelings | Photography is my passion. - Alfred |
| written on the human face, the beauty of the | Stieglitz |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | Photography takes an instant out of time, |
| - Edward Steichen | altering life by holding it still. - Dorothea |
| | Lange |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | It is not the language of painters but the |
| as the event. During the work, you have to be | language of nature which one should listen to. |
| sure that you haven't left any holes, that you've | . . . The feeling for the things themselves, for |
| captured everything, because afterwards it will | reality, is more important than the feeling for |
| be too late. - Henri Cartier Bresson | pictures. - Vincent Van Gogh |
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