| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | The difficulty with color is to go beyond the |
| A great photograph is one that fully expresses | fact that it's color to have it be not just a |
| what one feels, in the deepest sense, about | colorful picture but really be a picture about |
| what is being photographed. - Ansel | something. It's difficult. So often color gets |
| Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Oklahoma City |
Houston |
Boca Raton |
Wichita |
Lawrenceville |
Saginaw |
Conyers |
Lake Worth |
Youngstown |
Simpsonville |
Swedesboro |
Florence |
Macon |
Richardson |
Talladega |
Duluth |
Palm Coast |
Warner Robins |
Lock Haven |
Chelsea |
Bedford |
Morrilton |
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| There is nothing worse than a sharp image of | You've got to push yourself harder. You've got |
| a fuzzy concept. - Ansel Adams | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| Once photography enters your bloodstream, | probe deeper. - William Albert Allard |
| it's like a disease. - Anon | |
| | Photography records the gamut of feelings |
| "Simply look with perceptive eyes at the | written on the human face, the beauty of the |
| world about you, and trust to your own | earth and skies that man has inherited and the |
| reactions and convictions. Ask yourself: | wealth and confusion man has created. |
| "Does this subject move me to feel, think | - Edward Steichen |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|