| You can find pictures anywhere. It's simply a | I think you have to have a real point of view |
| matter of noticing things and organizing them. | that's your own. You have to tell it your way. |
| You just have to care about what's around you | And, I think that it's a mistake to shoot for a |
| and have a concern with humanity and the | specific magazine's point of view because it's |
| human comedy. - Elliott Erwitt | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| A good picture is equivalent to a good deed. | believe it. - Mary Ellen Mark |
| - Vincent Van Gogh | |
| | Memory is very important, the memory of |
| You learn to see by practice. It's just like | each photo taken, flowing at the same speed |
| playing tennis, you get better the more you | as the event. During the work, you have to be |
| play. The more you look around at things, the | sure that you haven't left any holes, that you've |
| more you see. The more you photograph, the | captured everything, because afterwards it will |
| more you realize what can be photographed | be too late. - Henri Cartier Bresson |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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New York |
Las Vegas |
Washington |
Birmingham |
Albuquerque |
Frederick |
Silver Spring |
Newburgh |
North Brunswick |
Sand Springs |
Kenner |
Portales |
Carthage |
Lafayette |
Lodi |
Minocqua |
Beaver Dam |
Litchfield |
Bangor |
Quincy |
New Albany |
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| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | One should really use the camera as though |
| [Photography] is a way of feeling, of touching, | tomorrow you'd be stricken blind. |
| of loving. What you have caught on film is | - Dorothea Lange |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | The camera makes everyone a tourist in other |
| - Aaron Siskind | people's reality. - Susan Sontag |
|