| Photography takes an instant out of time, | You've got to push yourself harder. You've got |
| altering life by holding it still. - Dorothea | to start looking for pictures nobody else could |
| Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | Photography records the gamut of feelings |
| captured forever . . . it remembers little things, | written on the human face, the beauty of the |
| long after you have forgotten everything. | earth and skies that man has inherited and the |
| - Aaron Siskind | wealth and confusion man has created. |
| | - Edward Steichen |
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New York |
Atlanta |
Washington |
Cincinnati |
Dallas |
Savannah |
Worcester |
Toledo |
Winter Park |
Columbia |
Mason City |
Irvine |
Lawrenceville |
Studio City |
Clifton Park |
Minden |
Grants |
Maumee |
Nederland |
Woodland |
Novato |
Hasbrouck Heights |
Yuma |
Marietta |
Doniphan |
Pontotoc |
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| One should really use the camera as though | You can find pictures anywhere. It's simply a |
| tomorrow you'd be stricken blind. | matter of noticing things and organizing them. |
| - Dorothea Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| The difficulty with color is to go beyond the | human comedy. - Elliott Erwitt |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | No place is boring, if you've had a good |
| something. It's difficult. So often color gets | night's sleep and have a pocket full of |
| caught up in color, and it becomes merely | unexposed film. - Robert Adams |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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