| A picture is the expression of an impression. If | Photography is my passion. - Alfred |
| the beautiful were not in us, how would we | Stieglitz |
| ever recognize it? - Ernst Haas | |
| | "Simply look with perceptive eyes at the |
| You learn to see by practice. It's just like | world about you, and trust to your own |
| playing tennis, you get better the more you | reactions and convictions. Ask yourself: |
| play. The more you look around at things, the | "Does this subject move me to feel, think |
| more you see. The more you photograph, the | and dream? Can I visualize a print - my own |
| more you realize what can be photographed | personal statement of what I feel and want to |
| and what can't be photographed. You just have | convey - from the subject before me?" |
| to keep doing it. - Eliot Porter | - Ansel Adams |
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New York |
Chicago |
Los Angeles |
Glendale |
Sumter |
Anaheim |
Clearwater |
Lawton |
Tuscaloosa |
San Jose |
Allen |
Clifton Park |
Chino |
Eugene |
Rancho Santa Fe |
Mount Vernon |
Laredo |
Brevard |
Lakewood |
Defiance |
Juno Beach |
Coopersburg |
Pocatello |
Santa Nella |
Allen Park |
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| Photography records the gamut of feelings | One should really use the camera as though |
| written on the human face, the beauty of the | tomorrow you'd be stricken blind. |
| earth and skies that man has inherited and the | - Dorothea Lange |
| wealth and confusion man has created. | |
| - Edward Steichen | I almost never set out to photograph a |
| | landscape, nor do I think of my camera as a |
| Photography is about finding out what can | means of recording a mountain or an animal |
| happen in the frame. When you put four | unless I absolutely need a 'record shot'. My |
| edges around some facts, you change those | first thought is always of light. - Galen |
| facts. - Gary Winogrand | Rowell |
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