| A mad, keen photographer needs to get out | "Simply look with perceptive eyes at the |
| into the world and work and make mistakes. | world about you, and trust to your own |
| - Sam Abell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Photography suits the temper of this ageof | and dream? Can I visualize a print - my own |
| active bodies and minds. It is a perfect | personal statement of what I feel and want to |
| medium for one whose mind is teeming with | convey - from the subject before me?" |
| ideas, imagery, for a prolific worker who | - Ansel Adams |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | Once photography enters your bloodstream, |
| decisively, accurately. - Edward Weston | it's like a disease. - Anon |
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San Diego |
Rochester |
Sacramento |
Providence |
Bloomington |
Berkeley |
Brookfield |
Mason |
Hammonton |
Valley |
Cinnaminson |
Pine Bluff |
Lebanon |
Murray |
Creve Coeur |
La Grange |
Cathedral City |
Marietta |
Leesburg |
Yorba Linda |
Meriden |
Stockton |
Madison |
Williamstown |
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| Sometimes you can tell a large story with a | Photography knows how to authenticate its |
| tiny subject. - Eliot Porter | misrepresentations. - Mason Cooley |
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| You learn to see by practice. It's just like | You've got to push yourself harder. You've got |
| playing tennis, you get better the more you | to start looking for pictures nobody else could |
| play. The more you look around at things, the | take. You've got to take the tools you have and |
| more you see. The more you photograph, the | probe deeper. - William Albert Allard |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | ...words and pictures can work together to |
| to keep doing it. - Eliot Porter | communicate more powerfully than either |
| | alone. -William Albert Allard |
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