| A room hung with pictures is a room hung with | Photography is a major force in explaining |
| thoughts. - Sir Joshua Reynolds | man to man. - Edward Steichen |
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| I think the best pictures are often on the edges | Memory is very important, the memory of |
| of any situation, I don't find photographing the | each photo taken, flowing at the same speed |
| situation nearly as interesting as | as the event. During the work, you have to be |
| photographing the edges. - William Albert | sure that you haven't left any holes, that you've |
| Allard | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | |
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New York |
San Antonio |
Philadelphia |
Louisville |
Jackson |
Boise |
Albuquerque |
Livonia |
Springfield |
Myrtle Beach |
Overland Park |
Idaho Falls |
Brownwood |
Redwood City |
Haverhill |
Greenwood |
Massillon |
North Charleston |
Neenah |
Los Angeles |
Folsom |
Spearfish |
Methuen |
Ft Payne |
Bryce |
Kent |
Joplin |
Toms River |
Sarasota |
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| Above all, it's hard learning to live with vivid | One should really use the camera as though |
| mental images of scenes I cared for and failed | tomorrow you'd be stricken blind. |
| to photograph. It is the edgy existence within | - Dorothea Lange |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | The virtue of the camera is not the power it |
| be made. - Sam Abell | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| It is not the language of painters but the | looking. - Brooks Anderson |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | The difficulty with color is to go beyond the |
| reality, is more important than the feeling for | fact that it's color to have it be not just a |
| pictures. - Vincent Van Gogh | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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