| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
| | No place is boring, if you've had a good |
| Once photography enters your bloodstream, | night's sleep and have a pocket full of |
| it's like a disease. - Anon | unexposed film. - Robert Adams |
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| [Photography] is a way of feeling, of touching, | I think the best pictures are often on the edges |
| of loving. What you have caught on film is | of any situation, I don't find photographing the |
| captured forever . . . it remembers little things, | situation nearly as interesting as |
| long after you have forgotten everything. | photographing the edges. - William Albert |
| - Aaron Siskind | Allard |
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Houston |
Dallas |
St. Louis |
Augusta |
Newport News |
Fullerton |
Harrisburg |
Clinton Township |
Brownsville |
Murfreesboro |
Clovis |
Overland Park |
Laguna Beach |
Lafayette |
Addison |
Solvang |
Moriarty |
Faribault |
Opelika |
Tyngsboro |
Waco |
Huntersville |
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| Pictures you have taken have an influence on | A mad, keen photographer needs to get out |
| those that you are going to make. | into the world and work and make mistakes. |
| That's life! - John Sexton | - Sam Abell |
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| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| You've got to push yourself harder. You've got | Weston |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | One should really use the camera as though |
| probe deeper. - William Albert Allard | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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