| No place is boring, if you've had a good | The difficulty with color is to go beyond the |
| night's sleep and have a pocket full of | fact that it's color to have it be not just a |
| unexposed film. - Robert Adams | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| A room hung with pictures is a room hung with | caught up in color, and it becomes merely |
| thoughts. - Sir Joshua Reynolds | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Sometimes you can tell a large story with a | color and content; otherwise it is empty. |
| tiny subject. - Eliot Porter | - Mary Ellen Mark |
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Baltimore |
Dallas |
Philadelphia |
Miami |
Charleston |
Phoenix |
Clarksville |
Costa Mesa |
Alexandria |
Austin |
Vineland |
Duluth |
Shelby |
Harlingen |
Parkersburg |
Zephyrhills |
Richland |
Livingston |
Garner |
Fowlerville |
Mount Laurel |
Greeley |
Sulphur |
Oak Ridge |
Leesburg |
Bend |
New Windsor |
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| Photography is a major force in explaining | "Simply look with perceptive eyes at the |
| man to man. - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Memory is very important, the memory of | "Does this subject move me to feel, think |
| each photo taken, flowing at the same speed | and dream? Can I visualize a print - my own |
| as the event. During the work, you have to be | personal statement of what I feel and want to |
| sure that you haven't left any holes, that you've | convey - from the subject before me?" |
| captured everything, because afterwards it will | - Ansel Adams |
| be too late. - Henri Cartier Bresson | |
| | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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