| The virtue of the camera is not the power it | Above all, it's hard learning to live with vivid |
| has to transform the photographer into an | mental images of scenes I cared for and failed |
| artist, but the impulse it gives him to keep on | to photograph. It is the edgy existence within |
| looking. - Brooks Anderson | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| The difficulty with color is to go beyond the | be made. - Sam Abell |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Photography is my passion. - Alfred |
| something. It's difficult. So often color gets | Stieglitz |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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San Francisco |
Philadelphia |
Tampa |
Alexandria |
Pittsburgh |
Des Moines |
Glendale |
Cheyenne |
Santa Fe |
Huntington Beach |
Monroe |
Middletown |
Smyrna |
Copperas Cove |
Ames |
Georgetown |
Fostoria |
Pryor |
Sturgis |
Worthington |
Greenville |
Racine |
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| Photography knows how to authenticate its | You learn to see by practice. It's just like |
| misrepresentations. - Mason Cooley | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography records the gamut of feelings | more you see. The more you photograph, the |
| written on the human face, the beauty of the | more you realize what can be photographed |
| earth and skies that man has inherited and the | and what can't be photographed. You just have |
| wealth and confusion man has created. | to keep doing it. - Eliot Porter |
| - Edward Steichen | |
| | No place is boring, if you've had a good |
| Photography is a major force in explaining | night's sleep and have a pocket full of |
| man to man. - Edward Steichen | unexposed film. - Robert Adams |
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