| [Photography] is a way of feeling, of touching, | I think you have to have a real point of view |
| of loving. What you have caught on film is | that's your own. You have to tell it your way. |
| captured forever . . . it remembers little things, | And, I think that it's a mistake to shoot for a |
| long after you have forgotten everything. | specific magazine's point of view because it's |
| - Aaron Siskind | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| Photography takes an instant out of time, | believe it. - Mary Ellen Mark |
| altering life by holding it still. - Dorothea | |
| Lange | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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Chicago |
Greenville |
San Jose |
El Paso |
Lake Worth |
Miami Beach |
Darien |
Rockford |
Pekin |
Mechanicsburg |
Ellisville |
Warwick |
Blytheville |
Sherman |
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Turlock |
Montauk |
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Perry |
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Marshall |
Troy |
Madison |
Springfield |
Berlin |
Owensboro |
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| A great photograph is one that fully expresses | One should really use the camera as though |
| what one feels, in the deepest sense, about | tomorrow you'd be stricken blind. |
| what is being photographed. - Ansel | - Dorothea Lange |
| Adams | |
| | The difficulty with color is to go beyond the |
| Keep it simple. - Alfred Eienstaedt | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| No place is boring, if you've had a good | something. It's difficult. So often color gets |
| night's sleep and have a pocket full of | caught up in color, and it becomes merely |
| unexposed film. - Robert Adams | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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