| A picture is the expression of an impression. If | There is nothing worse than a sharp image of |
| the beautiful were not in us, how would we | a fuzzy concept. - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | "Simply look with perceptive eyes at the |
| Sometimes you can tell a large story with a | world about you, and trust to your own |
| tiny subject. - Eliot Porter | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| No place is boring, if you've had a good | and dream? Can I visualize a print - my own |
| night's sleep and have a pocket full of | personal statement of what I feel and want to |
| unexposed film. - Robert Adams | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
New York |
Los Angeles |
Raleigh |
Jackson |
Santa Barbara |
Lawrenceville |
Lakewood |
Fort Worth |
Orange |
Stoughton |
Sylmar |
Thomson |
Sumter |
Bronx |
Maryville |
Ruidoso |
Flemington |
Greensboro |
Waukesha |
Encino |
Indialantic |
Evansdale |
Sante Fe |
Boynton Beach |
Skippers |
Mt. Laurel |
Branford |
Marysville |
White Pine |
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| Pictures you have taken have an influence on | My own eyes are no more than scouts on a |
| those that you are going to make. | preliminary search, for the camera's eye may |
| That's life! - John Sexton | entirely change my idea. - Edward |
| | Weston |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | I almost never set out to photograph a |
| | landscape, nor do I think of my camera as a |
| Photography is a major force in explaining | means of recording a mountain or an animal |
| man to man. - Edward Steichen | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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