| I think the best pictures are often on the edges | Once photography enters your bloodstream, |
| of any situation, I don't find photographing the | it's like a disease. - Anon |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | [Photography] is a way of feeling, of touching, |
| Allard | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| You can find pictures anywhere. It's simply a | long after you have forgotten everything. |
| matter of noticing things and organizing them. | - Aaron Siskind |
| You just have to care about what's around you | |
| and have a concern with humanity and the | Now to consult the rules of composition before |
| human comedy. - Elliott Erwitt | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Dallas |
Riverside |
Nashville |
Corpus Christi |
Johnson City |
Yuma |
New Braunfels |
Greenbelt |
Lancaster |
Moscow |
Old Greenwich |
Aspen |
Myrtle Beach |
Lebanon |
Taylor |
Minnetonka |
Everett |
Adamstown |
Bronx |
Porterville |
Pasco |
Santee |
Kaanapali |
Wood Dale |
Pulaski |
Ft. Stockton |
Savannah |
New Hartford |
Manistique |
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| My own eyes are no more than scouts on a | Photography knows how to authenticate its |
| preliminary search, for the camera's eye may | misrepresentations. - Mason Cooley |
| entirely change my idea. - Edward | |
| Weston | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| The virtue of the camera is not the power it | take. You've got to take the tools you have and |
| has to transform the photographer into an | probe deeper. - William Albert Allard |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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