| Now to consult the rules of composition before | Photography knows how to authenticate its |
| making a picture is a little like consulting the | misrepresentations. - Mason Cooley |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | Memory is very important, the memory of |
| accomplished fact; they are the products of | each photo taken, flowing at the same speed |
| reflection . . . - Edward Weston | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| There is nothing worse than a sharp image of | captured everything, because afterwards it will |
| a fuzzy concept. - Ansel Adams | be too late. - Henri Cartier Bresson |
|
|
Houston |
Memphis |
New York |
Cincinnati |
Torrance |
Fort Lauderdale |
Lakeland |
Dallas |
Hollywood |
Bakersfield |
Waltham |
Chaska |
Trenton |
Scottsboro |
Watertown |
Westminster |
De Soto |
Janesville |
Richfield |
Coleman |
Ashland |
Sterling Heights |
Ephrata |
Abingdon |
Coraopolis |
La Jolla |
|
|
| You can find pictures anywhere. It's simply a | The difficulty with color is to go beyond the |
| matter of noticing things and organizing them. | fact that it's color to have it be not just a |
| You just have to care about what's around you | colorful picture but really be a picture about |
| and have a concern with humanity and the | something. It's difficult. So often color gets |
| human comedy. - Elliott Erwitt | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| A room hung with pictures is a room hung with | brilliantly to make visual statements combining |
| thoughts. - Sir Joshua Reynolds | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
|