| A good picture is equivalent to a good deed. | One should really use the camera as though |
| - Vincent Van Gogh | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| A room hung with pictures is a room hung with | |
| thoughts. - Sir Joshua Reynolds | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Keep it simple. - Alfred Eienstaedt | - Sam Abell |
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| No place is boring, if you've had a good | The difficulty with color is to go beyond the |
| night's sleep and have a pocket full of | fact that it's color to have it be not just a |
| unexposed film. - Robert Adams | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Columbus |
Louisville |
Philadelphia |
Oklahoma City |
Norfolk |
Colorado Springs |
Bloomington |
Altamonte Springs |
Robinson |
Oldsmar |
Conroe |
Bellflower |
Spearfish |
Lebanon |
Lawrenceville |
Richardson |
Reedsburg |
San Francisco |
Harwich Port |
Delta |
Saratoga Springs |
Quakertown |
Sanibel Island |
Indian Shores |
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| Photography is about finding out what can | Now to consult the rules of composition before |
| happen in the frame. When you put four | making a picture is a little like consulting the |
| edges around some facts, you change those | law of gravitation before going for a walk. |
| facts. - Gary Winogrand | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| Photography knows how to authenticate its | reflection . . . - Edward Weston |
| misrepresentations. - Mason Cooley | |
| | "Simply look with perceptive eyes at the |
| Pictures you have taken have an influence on | world about you, and trust to your own |
| those that you are going to make. | reactions and convictions. Ask yourself: |
| That's life! - John Sexton | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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