| Photography suits the temper of this ageof | A picture is the expression of an impression. If |
| active bodies and minds. It is a perfect | the beautiful were not in us, how would we |
| medium for one whose mind is teeming with | ever recognize it? - Ernst Haas |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | No place is boring, if you've had a good |
| sculpting, for one who sees quickly and acts | night's sleep and have a pocket full of |
| decisively, accurately. - Edward Weston | unexposed film. - Robert Adams |
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| The virtue of the camera is not the power it | A room hung with pictures is a room hung with |
| has to transform the photographer into an | thoughts. - Sir Joshua Reynolds |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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Houston |
New York |
Phoenix |
San Diego |
Clarksville |
Asheville |
Minneapolis |
Monroe |
Anchorage |
Oneonta |
Amsterdam |
Chesterfield |
Shawnee |
Kinston |
Palm Springs |
Tampa |
New Rochelle |
Long Beach |
Washington |
Maple Grove |
Cupertino |
Thief River Falls |
Novi |
Astoria |
Jackson |
Marco Island |
Basking Ridge |
Canandaigua |
Harrisburg |
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| It is not the language of painters but the | Photography is a major force in explaining |
| language of nature which one should listen to. | man to man. - Edward Steichen |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | Memory is very important, the memory of |
| pictures. - Vincent Van Gogh | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| "Simply look with perceptive eyes at the | sure that you haven't left any holes, that you've |
| world about you, and trust to your own | captured everything, because afterwards it will |
| reactions and convictions. Ask yourself: | be too late. - Henri Cartier Bresson |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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