| Memory is very important, the memory of | Once photography enters your bloodstream, |
| each photo taken, flowing at the same speed | it's like a disease. - Anon |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Above all, it's hard learning to live with vivid |
| captured everything, because afterwards it will | mental images of scenes I cared for and failed |
| be too late. - Henri Cartier Bresson | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| ...words and pictures can work together to | assurance that the best photographs are yet to |
| communicate more powerfully than either | be made. - Sam Abell |
| alone. -William Albert Allard | |
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Portland |
Indianapolis |
San Diego |
Salt Lake City |
Fairfax |
Plantation |
Douglas |
St. George |
Lancaster |
Winchester |
Redwood City |
Walterboro |
Clinton |
Walla Walla |
Trussville |
Harriman |
La Quinta |
Spring Lake |
Boaz |
Cary |
Gatesville |
King George |
East Peoria |
Pittsford |
Columbia |
Saginaw |
West Greenwich |
Russellville |
La Palma |
Lexington |
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| A picture is the expression of an impression. If | The difficulty with color is to go beyond the |
| the beautiful were not in us, how would we | fact that it's color to have it be not just a |
| ever recognize it? - Ernst Haas | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| I think the best pictures are often on the edges | caught up in color, and it becomes merely |
| of any situation, I don't find photographing the | decorative. Some photographers use [ it ] |
| situation nearly as interesting as | brilliantly to make visual statements combining |
| photographing the edges. - William Albert | color and content; otherwise it is empty. |
| Allard | - Mary Ellen Mark |
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