| Photography suits the temper of this ageof | It is not the language of painters but the |
| active bodies and minds. It is a perfect | language of nature which one should listen to. |
| medium for one whose mind is teeming with | . . . The feeling for the things themselves, for |
| ideas, imagery, for a prolific worker who | reality, is more important than the feeling for |
| would be slowed down by painting or | pictures. - Vincent Van Gogh |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| My own eyes are no more than scouts on a | captured forever . . . it remembers little things, |
| preliminary search, for the camera's eye may | long after you have forgotten everything. |
| entirely change my idea. - Edward | - Aaron Siskind |
| Weston | |
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Chicago |
San Antonio |
Durham |
Englewood |
Monroe |
Conway |
St. Charles |
Bend |
Stockton |
Warsaw |
Ketchum |
Ashland |
Middletown |
Rialto |
Portsmouth |
Florence |
Porterville |
Cranston |
Mineral Wells |
Maple Grove |
Independence |
Seguin |
Lugoff |
Fuquay Varina |
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| You can find pictures anywhere. It's simply a | Photography is about finding out what can |
| matter of noticing things and organizing them. | happen in the frame. When you put four |
| You just have to care about what's around you | edges around some facts, you change those |
| and have a concern with humanity and the | facts. - Gary Winogrand |
| human comedy. - Elliott Erwitt | |
| | You've got to push yourself harder. You've got |
| Sometimes you can tell a large story with a | to start looking for pictures nobody else could |
| tiny subject. - Eliot Porter | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
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