| One should really use the camera as though | A picture is the expression of an impression. If |
| tomorrow you'd be stricken blind. | the beautiful were not in us, how would we |
| - Dorothea Lange | ever recognize it? - Ernst Haas |
| | |
| My own eyes are no more than scouts on a | Keep it simple. - Alfred Eienstaedt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | I think the best pictures are often on the edges |
| Weston | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| I almost never set out to photograph a | photographing the edges. - William Albert |
| landscape, nor do I think of my camera as a | Allard |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | |
| Rowell | |
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New York |
Pittsburgh |
San Antonio |
Las Vegas |
Washington |
Fort Worth |
Des Moines |
Long Beach |
White Plains |
San Diego |
Lubbock |
Honolulu |
Memphis |
Lawrence |
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Falls Church |
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Neosho |
Oakdale |
Corbin |
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Riverside |
Towson |
Lynnwood |
Osceola |
Midlothian |
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| Photography is about finding out what can | "Simply look with perceptive eyes at the |
| happen in the frame. When you put four | world about you, and trust to your own |
| edges around some facts, you change those | reactions and convictions. Ask yourself: |
| facts. - Gary Winogrand | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| You've got to push yourself harder. You've got | personal statement of what I feel and want to |
| to start looking for pictures nobody else could | convey - from the subject before me?" |
| take. You've got to take the tools you have and | - Ansel Adams |
| probe deeper. - William Albert Allard | |
| | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
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