| "Simply look with perceptive eyes at the | Memory is very important, the memory of |
| world about you, and trust to your own | each photo taken, flowing at the same speed |
| reactions and convictions. Ask yourself: | as the event. During the work, you have to be |
| "Does this subject move me to feel, think | sure that you haven't left any holes, that you've |
| and dream? Can I visualize a print - my own | captured everything, because afterwards it will |
| personal statement of what I feel and want to | be too late. - Henri Cartier Bresson |
| convey - from the subject before me?" | |
| - Ansel Adams | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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Chicago |
Kansas City |
Denver |
Portland |
Little Rock |
Charlotte |
Orlando |
Torrance |
Tampa |
Mesa |
Pueblo |
Muncie |
Las Vegas |
Fayetteville |
Fort Myers |
Darien |
Marion |
Sedalia |
Clinton |
Cathedral City |
Beaverton |
Villa Rica |
Blairsville |
Trenton |
Longwood |
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| You can find pictures anywhere. It's simply a | The virtue of the camera is not the power it |
| matter of noticing things and organizing them. | has to transform the photographer into an |
| You just have to care about what's around you | artist, but the impulse it gives him to keep on |
| and have a concern with humanity and the | looking. - Brooks Anderson |
| human comedy. - Elliott Erwitt | |
| | A mad, keen photographer needs to get out |
| I think the best pictures are often on the edges | into the world and work and make mistakes. |
| of any situation, I don't find photographing the | - Sam Abell |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | My own eyes are no more than scouts on a |
| Allard | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
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