| I almost never set out to photograph a | Keep it simple. - Alfred Eienstaedt |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | No place is boring, if you've had a good |
| unless I absolutely need a 'record shot'. My | night's sleep and have a pocket full of |
| first thought is always of light. - Galen | unexposed film. - Robert Adams |
| Rowell | |
| | A great photograph is one that fully expresses |
| One should really use the camera as though | what one feels, in the deepest sense, about |
| tomorrow you'd be stricken blind. | what is being photographed. - Ansel |
| - Dorothea Lange | Adams |
|
|
Brooklyn |
Los Angeles |
Cleveland |
South Bend |
Palm Harbor |
Calhoun |
Agoura Hills |
Hendersonville |
Mount Pleasant |
Longwood |
Scottsdale |
Hemet |
Easton |
Kittanning |
Tifton |
Concord |
Sault Ste Marie |
Waverly |
Braintree |
Wagoner |
Corona |
Forest City |
Yakima |
Atkins |
Sacramento |
Silvercreek |
Morganton |
Rehoboth Beach |
Columbia |
Liverpool |
|
|
| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | Photography records the gamut of feelings |
| to photograph. It is the edgy existence within | written on the human face, the beauty of the |
| me of these unmade images that is the only | earth and skies that man has inherited and the |
| assurance that the best photographs are yet to | wealth and confusion man has created. |
| be made. - Sam Abell | - Edward Steichen |
|