| "Simply look with perceptive eyes at the | The difficulty with color is to go beyond the |
| world about you, and trust to your own | fact that it's color to have it be not just a |
| reactions and convictions. Ask yourself: | colorful picture but really be a picture about |
| "Does this subject move me to feel, think | something. It's difficult. So often color gets |
| and dream? Can I visualize a print - my own | caught up in color, and it becomes merely |
| personal statement of what I feel and want to | decorative. Some photographers use [ it ] |
| convey - from the subject before me?" | brilliantly to make visual statements combining |
| - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | |
| Lange | |
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Philadelphia |
San Francisco |
Houston |
Los Angeles |
Washington |
Overland Park |
Boston |
Kalamazoo |
Fort Worth |
Portland |
Silver Spring |
New Smyrna Beach |
Muskogee |
Newark |
Pottsville |
New Bedford |
Covington |
Kirksville |
Lexington |
Jupiter |
Lockhart |
Greensburg |
Arcadia |
Toms River |
Leesville |
Watertown |
New Windsor |
Fayetteville |
Fremont |
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| You can find pictures anywhere. It's simply a | You've got to push yourself harder. You've got |
| matter of noticing things and organizing them. | to start looking for pictures nobody else could |
| You just have to care about what's around you | take. You've got to take the tools you have and |
| and have a concern with humanity and the | probe deeper. - William Albert Allard |
| human comedy. - Elliott Erwitt | |
| | Photography records the gamut of feelings |
| You learn to see by practice. It's just like | written on the human face, the beauty of the |
| playing tennis, you get better the more you | earth and skies that man has inherited and the |
| play. The more you look around at things, the | wealth and confusion man has created. |
| more you see. The more you photograph, the | - Edward Steichen |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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