| A good picture is equivalent to a good deed. | The difficulty with color is to go beyond the |
| - Vincent Van Gogh | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Keep it simple. - Alfred Eienstaedt | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| A great photograph is one that fully expresses | decorative. Some photographers use [ it ] |
| what one feels, in the deepest sense, about | brilliantly to make visual statements combining |
| what is being photographed. - Ansel | color and content; otherwise it is empty. |
| Adams | - Mary Ellen Mark |
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Raleigh |
Washington |
Greenville |
Durham |
Charlotte |
Chattanooga |
Virginia Beach |
Rock Hill |
Wellesley |
Meridian |
Silver Spring |
Houma |
Champaign |
Lexington |
San Diego |
Redding |
Canoga Park |
Sikeston |
Wiggins |
Grove |
Morrilton |
Orange |
Morris |
Cardiff |
East Windsor |
Hapeville |
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| Now to consult the rules of composition before | Memory is very important, the memory of |
| making a picture is a little like consulting the | each photo taken, flowing at the same speed |
| law of gravitation before going for a walk. | as the event. During the work, you have to be |
| Such rules and laws are deduced from the | sure that you haven't left any holes, that you've |
| accomplished fact; they are the products of | captured everything, because afterwards it will |
| reflection . . . - Edward Weston | be too late. - Henri Cartier Bresson |
| | |
| "Simply look with perceptive eyes at the | Photography records the gamut of feelings |
| world about you, and trust to your own | written on the human face, the beauty of the |
| reactions and convictions. Ask yourself: | earth and skies that man has inherited and the |
| "Does this subject move me to feel, think | wealth and confusion man has created. |
| and dream? Can I visualize a print - my own | - Edward Steichen |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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