| Photography is my passion. - Alfred | A good picture is equivalent to a good deed. |
| Stieglitz | - Vincent Van Gogh |
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| There is nothing worse than a sharp image of | Sometimes you can tell a large story with a |
| a fuzzy concept. - Ansel Adams | tiny subject. - Eliot Porter |
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| Above all, it's hard learning to live with vivid | Keep it simple. - Alfred Eienstaedt |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | A great photograph is one that fully expresses |
| me of these unmade images that is the only | what one feels, in the deepest sense, about |
| assurance that the best photographs are yet to | what is being photographed. - Ansel |
| be made. - Sam Abell | Adams |
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San Diego |
Albuquerque |
St. Louis |
Toledo |
Hollywood |
Modesto |
Louisville |
Gastonia |
Riverside |
Williamsville |
Lewisville |
Concord |
Perry |
Lock Haven |
Arlington |
Roseville |
Delta |
Iselin |
New Philadelphia |
Geneva |
Trenton |
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| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography is a major force in explaining |
| color and content; otherwise it is empty. | man to man. - Edward Steichen |
| - Mary Ellen Mark | |
| | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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