| I almost never set out to photograph a | Photography is my passion. - Alfred |
| landscape, nor do I think of my camera as a | Stieglitz |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | "Simply look with perceptive eyes at the |
| first thought is always of light. - Galen | world about you, and trust to your own |
| Rowell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The camera makes everyone a tourist in other | and dream? Can I visualize a print - my own |
| people's reality. - Susan Sontag | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Washington |
Akron |
Plano |
Zanesville |
Sanford |
San Ramon |
Bradenton |
Clackamas |
Charleston |
Waterford |
Garland |
Detroit |
Monticello |
Mechanicsville |
Windsor Locks |
Chicago |
Bluffton |
Johnston |
Jacksonville |
Dallas |
Seymour |
Dunmore |
Redmond |
Page |
Harahan |
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| Memory is very important, the memory of | You learn to see by practice. It's just like |
| each photo taken, flowing at the same speed | playing tennis, you get better the more you |
| as the event. During the work, you have to be | play. The more you look around at things, the |
| sure that you haven't left any holes, that you've | more you see. The more you photograph, the |
| captured everything, because afterwards it will | more you realize what can be photographed |
| be too late. - Henri Cartier Bresson | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| ...words and pictures can work together to | |
| communicate more powerfully than either | Sometimes you can tell a large story with a |
| alone. -William Albert Allard | tiny subject. - Eliot Porter |
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