| A picture is the expression of an impression. If | The virtue of the camera is not the power it |
| the beautiful were not in us, how would we | has to transform the photographer into an |
| ever recognize it? - Ernst Haas | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| Keep it simple. - Alfred Eienstaedt | |
| | The difficulty with color is to go beyond the |
| A good picture is equivalent to a good deed. | fact that it's color to have it be not just a |
| - Vincent Van Gogh | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| No place is boring, if you've had a good | caught up in color, and it becomes merely |
| night's sleep and have a pocket full of | decorative. Some photographers use [ it ] |
| unexposed film. - Robert Adams | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|
|
San Francisco |
Indianapolis |
Little Rock |
Mesa |
Albuquerque |
Brainerd |
Monahans |
Orange |
Corsicana |
Mill Valley |
Estes Park |
Trevose |
Columbia |
Long Beach |
Weslaco |
Franklin Park |
Champaign |
Islandia |
Ledgewood |
La Vergne |
Rowlett |
El Centro |
|
|
| I think you have to have a real point of view | Photography takes an instant out of time, |
| that's your own. You have to tell it your way. | altering life by holding it still. - Dorothea |
| And, I think that it's a mistake to shoot for a | Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Now to consult the rules of composition before |
| for yourself and photograph [the way] you | making a picture is a little like consulting the |
| believe it. - Mary Ellen Mark | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| Photography records the gamut of feelings | accomplished fact; they are the products of |
| written on the human face, the beauty of the | reflection . . . - Edward Weston |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
|