| No place is boring, if you've had a good | Photography is about finding out what can |
| night's sleep and have a pocket full of | happen in the frame. When you put four |
| unexposed film. - Robert Adams | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| You can find pictures anywhere. It's simply a | as the event. During the work, you have to be |
| matter of noticing things and organizing them. | sure that you haven't left any holes, that you've |
| You just have to care about what's around you | captured everything, because afterwards it will |
| and have a concern with humanity and the | be too late. - Henri Cartier Bresson |
| human comedy. - Elliott Erwitt | |
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| One should really use the camera as though | It is not the language of painters but the |
| tomorrow you'd be stricken blind. | language of nature which one should listen to. |
| - Dorothea Lange | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| The virtue of the camera is not the power it | pictures. - Vincent Van Gogh |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | "Simply look with perceptive eyes at the |
| looking. - Brooks Anderson | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| I almost never set out to photograph a | "Does this subject move me to feel, think |
| landscape, nor do I think of my camera as a | and dream? Can I visualize a print - my own |
| means of recording a mountain or an animal | personal statement of what I feel and want to |
| unless I absolutely need a 'record shot'. My | convey - from the subject before me?" |
| first thought is always of light. - Galen | - Ansel Adams |
| Rowell | |
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