| The difficulty with color is to go beyond the | A room hung with pictures is a room hung with |
| fact that it's color to have it be not just a | thoughts. - Sir Joshua Reynolds |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | You can find pictures anywhere. It's simply a |
| caught up in color, and it becomes merely | matter of noticing things and organizing them. |
| decorative. Some photographers use [ it ] | You just have to care about what's around you |
| brilliantly to make visual statements combining | and have a concern with humanity and the |
| color and content; otherwise it is empty. | human comedy. - Elliott Erwitt |
| - Mary Ellen Mark | |
| | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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New York |
Houston |
Shreveport |
Beaumont |
Bradenton |
Beaufort |
Salt Lake City |
Naperville |
Thousand Oaks |
The Woodlands |
Wabash |
Glenview |
Enid |
Augusta |
Boston |
Colchester |
Muscatine |
Bedford |
Flemington |
Cadillac |
Ogdensburg |
Binghamton |
Hicksville |
Roanoke |
Union |
Cortez |
Bryan |
Denison Lake Texoma |
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| Photography knows how to authenticate its | Photography takes an instant out of time, |
| misrepresentations. - Mason Cooley | altering life by holding it still. - Dorothea |
| | Lange |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | "Simply look with perceptive eyes at the |
| as the event. During the work, you have to be | world about you, and trust to your own |
| sure that you haven't left any holes, that you've | reactions and convictions. Ask yourself: |
| captured everything, because afterwards it will | "Does this subject move me to feel, think |
| be too late. - Henri Cartier Bresson | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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