| Memory is very important, the memory of | My own eyes are no more than scouts on a |
| each photo taken, flowing at the same speed | preliminary search, for the camera's eye may |
| as the event. During the work, you have to be | entirely change my idea. - Edward |
| sure that you haven't left any holes, that you've | Weston |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Pictures you have taken have an influence on | - Sam Abell |
| those that you are going to make. | |
| That's life! - John Sexton | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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San Antonio |
San Francisco |
Austin |
Los Angeles |
El Paso |
Westminster |
Grand Junction |
Watertown |
Prescott |
Alliance |
Cameron |
Sunnyvale |
Waynesville |
Goodyear |
Moberly |
Hillsboro |
Shelby |
Pembroke Pines |
Big Stone Gap |
Carlsbad |
Mission Viejo |
Lake Mary |
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| [Photography] is a way of feeling, of touching, | A good picture is equivalent to a good deed. |
| of loving. What you have caught on film is | - Vincent Van Gogh |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | You learn to see by practice. It's just like |
| - Aaron Siskind | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| "Simply look with perceptive eyes at the | more you see. The more you photograph, the |
| world about you, and trust to your own | more you realize what can be photographed |
| reactions and convictions. Ask yourself: | and what can't be photographed. You just have |
| "Does this subject move me to feel, think | to keep doing it. - Eliot Porter |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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