| ...words and pictures can work together to | Above all, it's hard learning to live with vivid |
| communicate more powerfully than either | mental images of scenes I cared for and failed |
| alone. -William Albert Allard | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| Photography records the gamut of feelings | assurance that the best photographs are yet to |
| written on the human face, the beauty of the | be made. - Sam Abell |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | "Simply look with perceptive eyes at the |
| - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Santa Ana |
Glendale |
Yuma |
Annapolis |
Mount Pleasant |
Morehead City |
Miami Springs |
Kansas City |
Lisbon |
Red Bank |
Reidsville |
Visalia |
Perry |
Garner |
Bridgeport |
Bowling Green |
Wilsonville |
Cohoes |
White Settlement |
Troy |
Erick |
Pulaski |
Carteret |
Georgetown |
Deltona |
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| A room hung with pictures is a room hung with | A mad, keen photographer needs to get out |
| thoughts. - Sir Joshua Reynolds | into the world and work and make mistakes. |
| | - Sam Abell |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | The difficulty with color is to go beyond the |
| situation nearly as interesting as | fact that it's color to have it be not just a |
| photographing the edges. - William Albert | colorful picture but really be a picture about |
| Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| You learn to see by practice. It's just like | decorative. Some photographers use [ it ] |
| playing tennis, you get better the more you | brilliantly to make visual statements combining |
| play. The more you look around at things, the | color and content; otherwise it is empty. |
| more you see. The more you photograph, the | - Mary Ellen Mark |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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