| The virtue of the camera is not the power it | No place is boring, if you've had a good |
| has to transform the photographer into an | night's sleep and have a pocket full of |
| artist, but the impulse it gives him to keep on | unexposed film. - Robert Adams |
| looking. - Brooks Anderson | |
| | A good picture is equivalent to a good deed. |
| My own eyes are no more than scouts on a | - Vincent Van Gogh |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Sometimes you can tell a large story with a |
| Weston | tiny subject. - Eliot Porter |
|
|
San Antonio |
San Francisco |
Oakland |
Albuquerque |
Longview |
Rockford |
Altoona |
Lima |
Tuscaloosa |
Braintree |
Tyngsboro |
Piqua |
Sunnyvale |
Hemet |
Louisa |
Marion |
Sweetwater |
Warrington |
Jacksonville |
Driggs |
Pawtucket |
Pryor |
Bangor |
North Brunswick |
Baraga |
Sun Valley |
La Mirada |
Springfield |
Dover |
Oakdale |
|
|
| It is not the language of painters but the | Photography knows how to authenticate its |
| language of nature which one should listen to. | misrepresentations. - Mason Cooley |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | Photography is a major force in explaining |
| pictures. - Vincent Van Gogh | man to man. - Edward Steichen |
| | |
| [Photography] is a way of feeling, of touching, | Photography is about finding out what can |
| of loving. What you have caught on film is | happen in the frame. When you put four |
| captured forever . . . it remembers little things, | edges around some facts, you change those |
| long after you have forgotten everything. | facts. - Gary Winogrand |
| - Aaron Siskind | |
|