| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
| | |
| Photography takes an instant out of time, | You can find pictures anywhere. It's simply a |
| altering life by holding it still. - Dorothea | matter of noticing things and organizing them. |
| Lange | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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Orlando |
West Palm Beach |
Fort Collins |
Crossville |
Santa Clara |
Myrtle Beach |
Clarksburg |
Findlay |
Milford |
Corning |
Trenton |
Savannah |
Florence |
Decatur |
Hamburg |
Porterville |
Venice |
Gulfport |
Randolph |
Concord |
Novi |
New Orleans |
Covington |
Shrewsbury |
Diamond Bar |
Clinton |
St. Louis Park |
Ellicott City |
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| I almost never set out to photograph a | Pictures you have taken have an influence on |
| landscape, nor do I think of my camera as a | those that you are going to make. |
| means of recording a mountain or an animal | That's life! - John Sexton |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | You've got to push yourself harder. You've got |
| Rowell | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| The camera makes everyone a tourist in other | probe deeper. - William Albert Allard |
| people's reality. - Susan Sontag | |
| | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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