| I think you have to have a real point of view | Photography suits the temper of this ageof |
| that's your own. You have to tell it your way. | active bodies and minds. It is a perfect |
| And, I think that it's a mistake to shoot for a | medium for one whose mind is teeming with |
| specific magazine's point of view because it's | ideas, imagery, for a prolific worker who |
| never going to be as good. You have to shoot | would be slowed down by painting or |
| for yourself and photograph [the way] you | sculpting, for one who sees quickly and acts |
| believe it. - Mary Ellen Mark | decisively, accurately. - Edward Weston |
| | |
| Memory is very important, the memory of | The virtue of the camera is not the power it |
| each photo taken, flowing at the same speed | has to transform the photographer into an |
| as the event. During the work, you have to be | artist, but the impulse it gives him to keep on |
| sure that you haven't left any holes, that you've | looking. - Brooks Anderson |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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New York |
Charlotte |
St. Louis |
Fort Worth |
Milwaukee |
Atlanta |
Johnstown |
Santa Ana |
Council Bluffs |
Culver City |
Columbus |
Melbourne |
Kailua Kona |
Dahlonega |
Goldsboro |
Lewes |
Bloomington |
Augusta |
Wagoner |
Demopolis |
Lombard |
Warrenton |
Archdale |
Ocean Springs |
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| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
| | A room hung with pictures is a room hung with |
| Photography takes an instant out of time, | thoughts. - Sir Joshua Reynolds |
| altering life by holding it still. - Dorothea | |
| Lange | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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