| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | A picture is the expression of an impression. If |
| - Ansel Adams | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Photography is my passion. - Alfred | |
| Stieglitz | |
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Miami |
Pittsburgh |
Toledo |
Chicago |
Fresno |
Waco |
Ellicott City |
Bartlesville |
Scranton |
Staten Island |
Alexander City |
Kenosha |
San Juan Capistrano |
Old Greenwich |
Ironwood |
Flagstaff |
Fillmore |
Wakefield |
Franklin |
Great Bend |
Arnold |
Midlothian |
Salida |
North Attleboro |
Othello |
Columbia |
New Castle |
Lost Hills |
Arcadia |
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| The camera makes everyone a tourist in other | Pictures you have taken have an influence on |
| people's reality. - Susan Sontag | those that you are going to make. |
| | That's life! - John Sexton |
| The virtue of the camera is not the power it | |
| has to transform the photographer into an | Photography is a major force in explaining |
| artist, but the impulse it gives him to keep on | man to man. - Edward Steichen |
| looking. - Brooks Anderson | |
| | Memory is very important, the memory of |
| A mad, keen photographer needs to get out | each photo taken, flowing at the same speed |
| into the world and work and make mistakes. | as the event. During the work, you have to be |
| - Sam Abell | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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