| The virtue of the camera is not the power it | Keep it simple. - Alfred Eienstaedt |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | You learn to see by practice. It's just like |
| looking. - Brooks Anderson | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| My own eyes are no more than scouts on a | more you see. The more you photograph, the |
| preliminary search, for the camera's eye may | more you realize what can be photographed |
| entirely change my idea. - Edward | and what can't be photographed. You just have |
| Weston | to keep doing it. - Eliot Porter |
|
|
New York |
Miami |
Fort Lauderdale |
Ocala |
Wichita |
Decatur |
New Braunfels |
Alcoa |
Lake City |
Henderson |
Birch Run |
Grundy |
Jamestown |
Parsippany |
Galloway |
Pocomoke |
Longboat Key |
Redwood City |
Guntersville |
San Carlos |
Ebensburg |
|
|
| Photography knows how to authenticate its | It is not the language of painters but the |
| misrepresentations. - Mason Cooley | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography is a major force in explaining | reality, is more important than the feeling for |
| man to man. - Edward Steichen | pictures. - Vincent Van Gogh |
| | |
| Memory is very important, the memory of | Photography takes an instant out of time, |
| each photo taken, flowing at the same speed | altering life by holding it still. - Dorothea |
| as the event. During the work, you have to be | Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
|