| The camera makes everyone a tourist in other | No place is boring, if you've had a good |
| people's reality. - Susan Sontag | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Sometimes you can tell a large story with a |
| colorful picture but really be a picture about | tiny subject. - Eliot Porter |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | A picture is the expression of an impression. If |
| decorative. Some photographers use [ it ] | the beautiful were not in us, how would we |
| brilliantly to make visual statements combining | ever recognize it? - Ernst Haas |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Chicago |
New York |
Dallas |
San Francisco |
Fort Lauderdale |
Newport Beach |
St. Paul |
Eugene |
East Hanover |
Grove |
Delaware |
Estes Park |
Fort Dodge |
Danvers |
Pennsville |
Yuma |
Vienna |
Grove City |
Concord |
Hines |
Mars |
Whitsett |
Hummelstown |
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| Memory is very important, the memory of | It is not the language of painters but the |
| each photo taken, flowing at the same speed | language of nature which one should listen to. |
| as the event. During the work, you have to be | . . . The feeling for the things themselves, for |
| sure that you haven't left any holes, that you've | reality, is more important than the feeling for |
| captured everything, because afterwards it will | pictures. - Vincent Van Gogh |
| be too late. - Henri Cartier Bresson | |
| | "Simply look with perceptive eyes at the |
| Photography is about finding out what can | world about you, and trust to your own |
| happen in the frame. When you put four | reactions and convictions. Ask yourself: |
| edges around some facts, you change those | "Does this subject move me to feel, think |
| facts. - Gary Winogrand | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|