| "Simply look with perceptive eyes at the | A good picture is equivalent to a good deed. |
| world about you, and trust to your own | - Vincent Van Gogh |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | I think the best pictures are often on the edges |
| and dream? Can I visualize a print - my own | of any situation, I don't find photographing the |
| personal statement of what I feel and want to | situation nearly as interesting as |
| convey - from the subject before me?" | photographing the edges. - William Albert |
| - Ansel Adams | Allard |
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| Photography is my passion. - Alfred | A room hung with pictures is a room hung with |
| Stieglitz | thoughts. - Sir Joshua Reynolds |
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Houston |
Brooklyn |
Los Angeles |
Indianapolis |
Phoenix |
Columbus |
West Palm Beach |
Abilene |
Silver Spring |
Edison |
Rockville |
Lake Charles |
Titusville |
Tacoma |
Chelmsford |
Greer |
Monroe |
Chicopee |
Boise |
Limon |
Blue Springs |
Briarcliff Manor |
Santee |
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| Memory is very important, the memory of | The virtue of the camera is not the power it |
| each photo taken, flowing at the same speed | has to transform the photographer into an |
| as the event. During the work, you have to be | artist, but the impulse it gives him to keep on |
| sure that you haven't left any holes, that you've | looking. - Brooks Anderson |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Photography is about finding out what can | - Sam Abell |
| happen in the frame. When you put four | |
| edges around some facts, you change those | The difficulty with color is to go beyond the |
| facts. - Gary Winogrand | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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