| Photography suits the temper of this ageof | It is not the language of painters but the |
| active bodies and minds. It is a perfect | language of nature which one should listen to. |
| medium for one whose mind is teeming with | . . . The feeling for the things themselves, for |
| ideas, imagery, for a prolific worker who | reality, is more important than the feeling for |
| would be slowed down by painting or | pictures. - Vincent Van Gogh |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| One should really use the camera as though | captured forever . . . it remembers little things, |
| tomorrow you'd be stricken blind. | long after you have forgotten everything. |
| - Dorothea Lange | - Aaron Siskind |
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Columbus |
Rochester |
Denver |
Brooklyn |
Richmond |
Toledo |
Winter Haven |
Savannah |
Riverside |
Tampa |
Lubbock |
Peoria |
Hicksville |
Green Bay |
La Porte |
Eugene |
Elmira |
Niles |
Humble |
Hearne |
Mill Valley |
Beaver Falls |
Pierre |
Duncan |
Wahoo |
Versailles |
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| ...words and pictures can work together to | Sometimes you can tell a large story with a |
| communicate more powerfully than either | tiny subject. - Eliot Porter |
| alone. -William Albert Allard | |
| | Keep it simple. - Alfred Eienstaedt |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | I think the best pictures are often on the edges |
| And, I think that it's a mistake to shoot for a | of any situation, I don't find photographing the |
| specific magazine's point of view because it's | situation nearly as interesting as |
| never going to be as good. You have to shoot | photographing the edges. - William Albert |
| for yourself and photograph [the way] you | Allard |
| believe it. - Mary Ellen Mark | |
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