| Photography is my passion. - Alfred | My own eyes are no more than scouts on a |
| Stieglitz | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| It is not the language of painters but the | Weston |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | One should really use the camera as though |
| reality, is more important than the feeling for | tomorrow you'd be stricken blind. |
| pictures. - Vincent Van Gogh | - Dorothea Lange |
| | |
| There is nothing worse than a sharp image of | Photography suits the temper of this ageof |
| a fuzzy concept. - Ansel Adams | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Fort Worth |
St. Paul |
Lexington |
Omaha |
Irvine |
Trenton |
Chula Vista |
Hammond |
Westbury |
Jackson |
Bloomington |
Panama City |
North Hollywood |
Newport |
Elk City |
Wichita Falls |
New Castle |
Euless |
Monroe |
Harrison |
North Fort Myers |
Brenham |
Benson |
Tucker |
Hancock |
Ainsworth |
Atlantic |
Cadiz |
Sheffield |
Lincoln |
|
|
| Photography records the gamut of feelings | Keep it simple. - Alfred Eienstaedt |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | You can find pictures anywhere. It's simply a |
| wealth and confusion man has created. | matter of noticing things and organizing them. |
| - Edward Steichen | You just have to care about what's around you |
| | and have a concern with humanity and the |
| You've got to push yourself harder. You've got | human comedy. - Elliott Erwitt |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | No place is boring, if you've had a good |
| probe deeper. - William Albert Allard | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
|