| I think you have to have a real point of view | I think the best pictures are often on the edges |
| that's your own. You have to tell it your way. | of any situation, I don't find photographing the |
| And, I think that it's a mistake to shoot for a | situation nearly as interesting as |
| specific magazine's point of view because it's | photographing the edges. - William Albert |
| never going to be as good. You have to shoot | Allard |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| Photography is a major force in explaining | ever recognize it? - Ernst Haas |
| man to man. - Edward Steichen | |
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New York |
Brooklyn |
Colorado Springs |
Columbus |
Johnstown |
Sioux Falls |
Cedar Rapids |
Edina |
Lake Oswego |
Concord |
Cheraw |
Buffalo Grove |
Bensalem |
Monticello |
Fort Wayne |
West Chester |
Lexington |
Bishop |
Warwick |
Poulsbo |
Panama City Beach |
Greenwood |
Wilson |
Marshfield |
San Juan Capistrano |
Ulysses |
Birmingham Detroit |
Iola |
Mt. Laurel |
Moncks Corner |
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| The difficulty with color is to go beyond the | [Photography] is a way of feeling, of touching, |
| fact that it's color to have it be not just a | of loving. What you have caught on film is |
| colorful picture but really be a picture about | captured forever . . . it remembers little things, |
| something. It's difficult. So often color gets | long after you have forgotten everything. |
| caught up in color, and it becomes merely | - Aaron Siskind |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | "Simply look with perceptive eyes at the |
| color and content; otherwise it is empty. | world about you, and trust to your own |
| - Mary Ellen Mark | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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