| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | Photography is a major force in explaining |
| Lange | man to man. - Edward Steichen |
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New York |
Denver |
Staten Island |
Fort Worth |
Salt Lake City |
Riverside |
Baltimore |
La Grange |
Lorain |
Roseville |
Borger |
Brighton |
Snyder |
Perham |
Beloit |
Sonora |
Mayfield |
Jefferson |
St. Clairsville |
North Richland Hills |
Hazel Park |
Corona |
Corpus Christi |
Naperville |
Notre Dame |
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| Photography suits the temper of this ageof | Sometimes you can tell a large story with a |
| active bodies and minds. It is a perfect | tiny subject. - Eliot Porter |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | A room hung with pictures is a room hung with |
| would be slowed down by painting or | thoughts. - Sir Joshua Reynolds |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| The virtue of the camera is not the power it | what is being photographed. - Ansel |
| has to transform the photographer into an | Adams |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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