| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Sometimes you can tell a large story with a |
| for yourself and photograph [the way] you | tiny subject. - Eliot Porter |
| believe it. - Mary Ellen Mark | |
| | A good picture is equivalent to a good deed. |
| Photography is a major force in explaining | - Vincent Van Gogh |
| man to man. - Edward Steichen | |
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Houston |
Los Angeles |
Colorado Springs |
Portland |
Springfield |
Grand Rapids |
Eugene |
Jersey City |
Anderson |
Ypsilanti |
Butte |
Enumclaw |
Santee |
Waverly |
Sioux Falls |
Birmingham |
Marathon |
Covington |
Northport |
Winter Park |
Williams |
Aberdeen |
Broken Arrow |
Carle Place |
Savoy |
Pearland |
Dekalb |
Delaware |
Jackson |
Langhorne |
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| The virtue of the camera is not the power it | [Photography] is a way of feeling, of touching, |
| has to transform the photographer into an | of loving. What you have caught on film is |
| artist, but the impulse it gives him to keep on | captured forever . . . it remembers little things, |
| looking. - Brooks Anderson | long after you have forgotten everything. |
| | - Aaron Siskind |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | Photography is my passion. - Alfred |
| - Dorothea Lange | Stieglitz |
| | |
| The difficulty with color is to go beyond the | Above all, it's hard learning to live with vivid |
| fact that it's color to have it be not just a | mental images of scenes I cared for and failed |
| colorful picture but really be a picture about | to photograph. It is the edgy existence within |
| something. It's difficult. So often color gets | me of these unmade images that is the only |
| caught up in color, and it becomes merely | assurance that the best photographs are yet to |
| decorative. Some photographers use [ it ] | be made. - Sam Abell |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|